此壶取三足梨形式，以老段泥全手工精制。壶身呈梨形，上敛下丰，下承三乳足，稳如泰山；短弯流上扬，圈把圆润，壶盖隆起，钮似梨蒂，神韵天然。泥色呈赭褐老黄色，遍体黑砂隐现，古拙质朴。壶身一面刻行书 "一亭俯流水，万竹引清风"，为曼生壶经典名句，笔意潇洒；另一面以刀代笔，刻山水小景：疏林淡远、丘壑在胸，意境清幽。底钤方形篆书印章，旁刻 "宜兴紫砂工艺厂一九五五年制" 款，盖内钤小印。此壶为建国初期宜兴紫砂工艺厂早期产品，形制古雅，刻工精到，兼具实用与历史价值，是研究当代紫砂发展史的实物佐证。

This teapot is crafted in the three-legged pear shape, fully hand-made from aged duan (yellow segment) clay. The body is pear-shaped — narrow at the neck and full at the belly — resting on three small rounded feet for stability. The short, curved spout tilts upward gracefully; the loop handle is round and smooth; the lid is domed with a knob resembling a pear stem, capturing the natural charm of its namesake. The clay displays an ochre-brown aged tone with dark sand grains scattered throughout, appearing rustic and unadorned. One side is carved in running script with the classic Mansheng couplet: "A pavilion overlaps flowing water; ten thousand bamboos invite the breeze." The reverse side features a knife-carved landscape: sparse trees and distant hills in tranquil composition. The base bears a square seal in seal script alongside the inscription "Yixing Zisha Craft Factory, made in 1955," with a small seal inside the lid. This piece is an early product of the Yixing Zisha Craft Factory from the early People's Republic era — archaic in form and finely carved, combining practical tea use with historical significance as a tangible artifact of contemporary zisha development.